Posts Tagged ‘Home Run Derby’

Living out loud

January 20th, 2011

So…this blog was about half written, and something happened to make me want to finish it, and also push it ahead of another blog that had been percolating for a while in my head.

See, I have a theory. In the world of nearly immediate access to information about almost anyone you care to get information about…don’t be an asshole. Everything that has transpired for the past ten years in technology makes everyone susceptible to anyone and everyone knowing their business nearly immediately. So how about this – live like you already know everyone around you will know everything about you.

This was inspired by something that happened over the summer. My twitter feed has always been public. I don’t say things I wouldn’t want anyone in my personal or professional life to read. (so all you lurkers, both on my blog and my twitter – feel free to engage-whether I know you or not) While I was in Michigan shooting the last movie, there were, to put it mildly, some problems on the set. We had problems with a couple of departments, and it wasn’t the smoothest production in the world. Did some of this end up on my twitter? Well, kind of. In very general terms, I would put stuff like “I forgot pre-pro on kids movies is 20 hour days” <—- the truth, not specific to this movie, or “Clusterfuck is one way to describe it” Now, very consciously, there was never any mention of any specifics EXCEPT in a good way. And I gave plenty of those. Pics of the teams, lauding performances, specifics came with praise. Always.
Barry...hard at work

Barry Bostwick – my favorite. Great performer, and great guy

And then one day I got a call from someone. “XXX XXX on your set is made uncomfortable by your twitter” Wow. ok. So, I took it, and made it private. Now the only people who could read it were people I knew were reading it.
And I resented it.
See, here’s the thing. The person who was made uncomfortable was one of the people who was fucking up on the shoot. There was nothing specifically positive that had been said about this person. And the things that weren’t positive could have been attributed to a million factors. In fact, there were a million factors. But here was this one person…taking it personally. Why? Because this person was fucking up. And I guarantee this person knew it. So while, quite frankly, nothing I said was directed towards this person, this person had overlaid their personal awareness of poor performance on what had been said.
Kid actors need to learn all the jobs!

Teaching our lead kid actor the other important jobs on set

Which reinforces my belief. Personally and professionally – live like everyone is going to know what you’re doing and how you’re doing it at all times.  Maybe people will, and maybe people won’t…but if you’re never doing anything you would be ashamed other people knew about – then you’ll never be ashamed if they do know.

So, my twitter is back to being public. People know who this blog belongs to. And I’ll continue to, while being polite and nice, say what is actually going on.

So here’s a suggestion – do your fucking job. Don’t be an asshole. Today’s life is no longer lived in private, and if your own conscious wasn’t enough to make you act right…well, maybe that will be a side benefit of the digital age. Shame.

big sports

August 21st, 2010

It’s Saturday morning, and as I’m writing this, I’m on a conference call which will probably go on for hours. This upcoming week, we are shooting our big money scene where we are shooting in the Toledo Mudhens stadium, doubling it for a Major League stadium, and shooting a Home Run Derby which is the climax of the entire film. For a little movie like ours, this is a major undertaking.

We are shooting and crewing out of Detroit, and now we have logistically pick up the entire cast, crew, and equipment, move them to Toledo, shoot in a minor league stadium to double for a major league one, shoot half of the third act in 3 days, then pick back up and move back to Detroit. If that sounds like a logistical nightmare, you would be correct.

Baseball is hard to shoot for many reasons. A major one being that your players on the field are so spread out that coverage is a big issue. Now most of the baseball we are shooting is on Little League fields, which are sort of containable. But on a minor league field, it’s huge. So shot lists, storyboards, and a huge amount of planning is the only way we are going to get all of the story points we need to.

So we wake up, get on calls, and keep working through the weekend. Will it be successful? I think so. I wouldn’t be making this if I didn’t think it was going to be.

Feet on the Ground

June 16th, 2010

So yesterday was my feet on the ground day. Which means I landed in a state I’ve never been to before to live and work for the next 4 months. Now, before I have feet here, I already have eyes here…meaning I have hired my line producer/UPM, POC, APOC, local casting director, etc before I’m here, and I land to an office that is already up and running.

You always hope when you land and walk in that the crew you have hired are as pleasant as they seem to be on the phone, since you’ve hired sight unseen, based on recommendation, resumes, and phone calls. So far, so good….everyone seems to be what I thought they were.

So far, the challenges on this film are not normal ones. In indie film, finance is usually your largest obstacle, and you are constantly shifting pay dates, or contract sigs, or deposit schedules to fit around when the finance is coming in piece by piece by your 17 sources that are coming in to put the movie together. This one, on the other hand, went in fully financed. Even stranger, the financier didn’t want to give the money on a cash flow schedule, he just wanted to turn it over to production. So, we have the cash in the bank to make the picture.

Here’s where it gets weird. Michigan’s rebate can not be applied for until you are financed. So, once we were financed we put the application in. However, you can’t spend any money until it goes through the treasury and gets the official stamp of approval. Which can take up to 3 weeks. Now, we have people on the inside getting it approved much quicker, but we still don’t have the official stamp. Which means we can’t spend money.

However, we are on a strict production timeline. This is a movie which involves a ton of kid actors. And kid hours get far more limited during the school year, so we have to shoot out before school starts (at least all the kid parts) There is no pushing dates. It would make the movie unshootable. So, we have money, and can’t spend it. But need to spend it. So, this has become a mess of extra paper work having everyone start working without actually “starting working” Production office space, living arrangements, everything. We can escrow monies, just not draw down on the escrows.

Making a film always feels kinda like getting onto Platform 9 3/4 at Kings Cross. You close your eyes, run as fast as you can, and believe the obstacles will go away when you need them to.

Here we go again!

May 26th, 2010

So, here I am, spring 2010, looking in my closet and getting ready to once again pick up and move halfway across the country for 3-4 months. This time it’s Michigan.

The Basics:
Title: Home Run Derby.
logline: Two former professional baseball playing brothers take out their sibling rivalry through coaching little league teams. a definite Bad News Bears-y kind of movie.
Director: Oz Scott. Yup, the guy who directed Bustin Loose. Awesome.
pre-pro: June 14
prod: Aug 2
back home: Sept. 25

This was an interesting experience in film coming together in a way I’ve never been a part of before. A private equity financier came to us with the idea to do a baseball movie. So, we wrangled writers, brainstormed ideas, and had the script written from scratch with the movie already being financed. No director or actor contingencies. In independent film, it’s normally the other way around. You find a script you like, do some development with the writer. Chase down a director. Go through the excruciating process of attaching actors who mean something to financiers. THEN the money shows up.

So, once again friends, join me on the journey that is producing a film outside the studio system in a city I don’t know. I can’t wait!