Archive for the ‘Opinons’ Category

Ten years ago

September 11th, 2011

This isn’t the first post about what happened 10 years ago you’ll read today, and I’m sure it’s not the last. But it’s mine.

The landline rang and I groggily raised my head. Knowing the voice mail would pick up, I tried to stay awake enough to hear what was so important as to wake me up this early in the morning. The caller hung up before leaving a message. A few seconds later, a cell phone rang. Not mine because it was turned off. The Bald Man was crashing at my place for a few weeks before he moved back to Houston, and it was his distinctive ring that was going off in the other room. A few seconds later, the banging on my door began. “D, D, get up. Now.” The door flew open. “We’re being bombed!” All of a sudden I was wide awake. The Bald Man threw me the phone, where Mr. Gazpacho was calling from Spain. “Dude, turn on your tv, call me back later.” I flew out of bed, and the Bald Man and I began to watch the horrific footage.

We sat mostly in stunned silence, as the scene continued to unfold. We talked little, but most of the conversation revolved around being in the center of what, very likely, could be another target. We tried to call everyone we knew was in NY, and those that were traveling, but we weren’t sure where exactly they were. We got through to only a few. My neighbor’s cell phone began to ring, waking him up. He knocked on the door, asking to come in and watch, as he didn’t have a television at the time. We all three sat in silence. I watched the television, and I watched as the two transplanted New Yorkers in my living room watched their home city be under attack.

It was the second day of a 5 day voice-over job. I called the studio, to confirm that production was shut down for the day. The producer giggled nervously. “Did you know anyone in there?” “I…I don’t think so” – it would be almost 24 hours before I learned that I was wrong. The director was from a war torn country in South America. Terrorism was commonplace to him. The voice session was still on.

I drove to the valley, not able to stop my eyes from constantly darting up to the sky. The calls were starting to pour in from everyone in town. Was everyone ok? Were we all meeting up somewhere? The Sound Engineer was out in Calabasas, and wanted me to come out there to be away from the middle of the city, but my job called. I walked into the voice studio, and turned off my phone, realizing that in doing that, I was cutting off my lifeline to hear what was happening not only in New York, but everywhere else in the country.

The project was “The Color of War” The copy I was doing v.o. for was to go along with some of the first color and colorized footage of a war retrospective. The copy consisted only of letters. Letter written from wives to husbands telling of their fears. From daughters to fathers, telling how much they missed them. From mothers to sons; old friends to old friends. And I wept. Sixteen different letters and nine accents later I was wrapped for the day. My heart was broken, as were the capillaries in my eyes from crying. The emotion in my voice was real as I read letter after letter bemoaning the tragedy of war, and the terror that comes along with it.

I walked out of the studio, and knew I wasn’t ready to go home. I needed to be anonymous in my grief that was so mixed up between what had happened that morning, and what has always happened. I walked across the street and into a small english pub and sat without taking my sunglasses off. There were four screens on. Three of them were tuned to the footage and commentary. One was still tuned to a replay of a soccer match. The englishmen at the bar started going seamlessly between watching the constant coverage, and watching a game. It was the first inkling I had that things might eventually go back to feeling normal.

Living out loud

January 20th, 2011

So…this blog was about half written, and something happened to make me want to finish it, and also push it ahead of another blog that had been percolating for a while in my head.

See, I have a theory. In the world of nearly immediate access to information about almost anyone you care to get information about…don’t be an asshole. Everything that has transpired for the past ten years in technology makes everyone susceptible to anyone and everyone knowing their business nearly immediately. So how about this – live like you already know everyone around you will know everything about you.

This was inspired by something that happened over the summer. My twitter feed has always been public. I don’t say things I wouldn’t want anyone in my personal or professional life to read. (so all you lurkers, both on my blog and my twitter – feel free to engage-whether I know you or not) While I was in Michigan shooting the last movie, there were, to put it mildly, some problems on the set. We had problems with a couple of departments, and it wasn’t the smoothest production in the world. Did some of this end up on my twitter? Well, kind of. In very general terms, I would put stuff like “I forgot pre-pro on kids movies is 20 hour days” <—- the truth, not specific to this movie, or “Clusterfuck is one way to describe it” Now, very consciously, there was never any mention of any specifics EXCEPT in a good way. And I gave plenty of those. Pics of the teams, lauding performances, specifics came with praise. Always.
Barry...hard at work

Barry Bostwick – my favorite. Great performer, and great guy

And then one day I got a call from someone. “XXX XXX on your set is made uncomfortable by your twitter” Wow. ok. So, I took it, and made it private. Now the only people who could read it were people I knew were reading it.
And I resented it.
See, here’s the thing. The person who was made uncomfortable was one of the people who was fucking up on the shoot. There was nothing specifically positive that had been said about this person. And the things that weren’t positive could have been attributed to a million factors. In fact, there were a million factors. But here was this one person…taking it personally. Why? Because this person was fucking up. And I guarantee this person knew it. So while, quite frankly, nothing I said was directed towards this person, this person had overlaid their personal awareness of poor performance on what had been said.
Kid actors need to learn all the jobs!

Teaching our lead kid actor the other important jobs on set

Which reinforces my belief. Personally and professionally – live like everyone is going to know what you’re doing and how you’re doing it at all times.  Maybe people will, and maybe people won’t…but if you’re never doing anything you would be ashamed other people knew about – then you’ll never be ashamed if they do know.

So, my twitter is back to being public. People know who this blog belongs to. And I’ll continue to, while being polite and nice, say what is actually going on.

So here’s a suggestion – do your fucking job. Don’t be an asshole. Today’s life is no longer lived in private, and if your own conscious wasn’t enough to make you act right…well, maybe that will be a side benefit of the digital age. Shame.

This Is Not a Review

December 23rd, 2009

So, I’m not terribly interested in reviewing films, overall. There are plenty of people out there, and y’all can figure out whose opinions you trust, and who will lead you into or out of the theater. I’m not interested in doing that. However, this is about Avatar. And as such, I feel like I first need to give my overall opinion of it.

Meh *shrug*

There we go. Now, with that out of the way, I want to progress into the real reason for this blog, which is that there are a TON of reasons to actually be interested in Avatar as a movie. And as a studio movie. I’m only going to touch on my top two, but there are so many…

Interesting thing #1:
Fox isn’t banking on this as an opening weekend hit. I get “the lowdown” on what is going on in the marketing department there, and they are far more concerned with what the drop-off is going to be between weekends, and what the online chatter is (92% positive after seeing the movie, FYI) They are looking at this as being a longevity hit in the theater, rather than opening and making huge numbers.
Why it’s interesting #1:
In the independent world, this is something that we constantly struggle against with our distributors. How do you build a word of mouth that translates into a return in the box office? Because of what Avatar is, Fox is willing to bank against what we always tell distributors about a film…if people like it, your box office will follow. So, if a big budget justifies that strategy, how do we convince them that on smaller budgets, the same leap of faith is a good bet on small movies.

Interesting thing #2:
Avatar is at 84% on rotten tomatoes. Out of those, most of them talk about the spectacle, and put the story at (as best) pedestrian and previously done.
Why its interesting #2:
The split between independent and studio movies is becoming wider and wider. Studios can absolutely do things that independents can’t. The technology invented to film Avatar is certainly one of them. However, independent film has to find where the holes are in the studio system, and create product to fill those holes. and that should begin with story. Independents need to raise their own bar in regard to telling stories that are new, compelling, driven, and told creatively. We need to become more vigilant in only producing movies which have a script behind them which is flawless, and demand performances that illuminate those ideas. I have heard repeatedly from independent producers “well,the script is better than XXX XXX, which made $YYY YYY” That doesn’t matter! The script has to be better than good. It has to be amazing! We are plugging a hole here. You don’t do it with putty, you do it with cement.

I think with any movie that studios put out, we, as independent producers need to look at it with an eye towards what it says about the business and the audiences. Just enjoying it as a film is not enough.